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#10mila Joan Etorrian Aztarnak/ Huellas

AZTARNAK / HUELLAS

#10 mila JOAN ETORRIAN

#10mila Joan Etorrian Aztarnak / Huellas

Do you remember the metaphor of the message in a bottle and thrown into the sea?


The artistic installation, “# 10000 Joan-Etorrian”, unites art, reflection and desires. DSS2016 is coming to an end and that is why this installation by the artist Irantzu Lekue aims at closing the year by gathering the reflections of the citizens and giving them an artistic translation.

A work based on citizen participation. A work that vertebra Gipuzkoa in reflection, born in the mountain and reaching to the sea. All culminating with the launch of the GPS bottle of the DSS2016  learning to the Cantabrian.

DENBORAREN AZTARNAK / TIME FOOTPRINT

“Art it seems is the effort of deciphering or pursuing the mark left by a lost form of existence”

Maria Zambrano (Philosopher and essayist)

The year 2016 is coming to a close and together with it the cultural capital DSS2016. A year that will leave a mark on each person who has lived it and, in the city, and the territory itself. How well it will transcend or vanish in time. A year of successes and mistakes. Time marks the end of a year and the beginning of a new future, to go on searching, reflecting, creating, to fulfil dreams and goals.

We travelled throughout Gipuzkoa, carrying out a kind of trial, a participatory process of approach to social creativity. To do this, we called on the citizens of Euskal Herria to participate and express their dreams and reflections on culture and insert them in bottles. Express them to translate them. Redefine, give art, give light, hypnotize.

Each bottle contains the essence of each person, transforming into their image. Its s shapes are curved and rigid, but at the same time fragile; Like the human body, carriers of dreams and hopes. The bottle forms, the void and as they are transparent, it allows you to think about each thought created by each participant in this installation. In this way, the bottle become a transporter of dreams, illusions, desires, criticisms, praises or of emptiness itself and thus shows the interior of each person, their personality and creativity. Takes them out of the usual context, mixes them to create new objects. Forms that become flat. They separate, they come together. They hypnotize. They are part of the urban landscape, of everyday life, of everyday life. But they are redefined.

The individual, being social by nature with a desire to search, move forwards or backwards in the process of life and death, leaving a mark, creating connections with other people and generating new paths. That is why, grouping 10,000 bottles in curved and organic lines, such as glassy rivers, the natural labyrinth is formed: the fingerprint; the heart of the fingers, destined to feel, perceive and feel.

The labyrinth,

A complex structure with more than 5000 years of history, symbolizing life, death and rebirth. It represents the tortuous and error-filled path that must be travelled in order to find the centre of one’s self and wisdom. Seneca said, “To those who run in a maze, their own speed confuses them” and it is during life when we choose right and wrong paths when trying to reach our objectives. Life is like a spiral, as a natural labyrinth, a footprint”.

The footprint

It is the mark we leave with our presence, our way of being,  the ways we do things. And it is an elongated process over time; a willingness to travel the path that marks the route, as well as the thread that Theseus used to find the Minotaur and leave the labyrinth in Greek mythology. But … in the case at hand … have we reached the centre?

Red thread

Marks the driving force that drives us  forward, the sensory, the willingness to do so. Therefore, the thread runs through part of the maze, even without reaching the end, always hoping to reach its destination: desires.

Time, a path, a footprint and reflection. Francis of Doctor Desire sang, “Dream and desire, dare to transform” What is this but the basis for art, creation and feeling? Maybe it’s an ode to the urban, maybe a shout “Hau dena aldatu nahi nuke!” or a chasm between that and the what now? Meanwhile, what I really like is living it. Walker, there is no path, the path is made by walking.

Artistic Residencies

Irantzu Lekue participates in three artistic residencies in 2017

Irantzu Lekue participates in three artistic residencies in 2017

Bordeaux, Madrid and Baigorri have been the stages of these residences in which the Basque artist has produced different works

Three are, for the moment, the artistic residences in which Irantzu Lekue has participated so far this year in cities such as Bordeaux (France), Saint Etienne de Baigorri and Madrid. Stays with different objectives and functions have allowed it to create new works and make new contacts with artists and to deepen the current reality of cultural management within the European framework.

The artistic stay in Baigorri has allowed him to generate new work. The project began “with the contact with its people and their environment”. Thus during several days he developed landscape and figurative works of the surroundings of Castle Etxauzia. The oldest elements of this castle date back to the 11th century. It was seized by the Nazis in World War II, lodged Charles Chaplin and was owned, among others, by actress Eleanor Boardman

Closely linked to various events in Navarre history, Irantzu Lekue has made the Arnasa 01 series there, “repairing the surroundings, the views of Etxauzia or the village from the vineyards that surround it,” explains Lekue. “A suitable frame to create” from the series Arnasa 01 where the works are created in mixed pictorial technique through a dynamic brushstroke, “similar to the impressionist, representing the transience of light in the instant to be captured in situ “. The work consists of six large format paintings that have as their center the Castle Etxauzia. The Castle is located on a rocky promontory of Baigorri – 36 kilometers from Bayonne -, has passed much of the history of Lower Navarre of the last ten centuries.

The artistic residence in Bordeaux (France) has been developed within the framework of the third edition of the Creative Mobility Program of the Euroregion Vers an Ecosystème Créatif Transfrontalier and is more linked to cultural management. An artistic residence within the program developed by different entities of the Eurorphion: the Basque Government, through the Agency Garapen, Bitamine Faktoria and Fabrique Pola, the Bordeaux artistic and creative pole, referring to European level, which next year will inaugurate its New headquarters: a building of 4,000 square meters on the banks of the River Garonne.

Vers an Ecosystème Créatif Transfrontalier is a mobility program between 24 young creators from Euskadi and Aquitaine, which contributes to the consolidation of a creative ecosystem in the Euroregion, “to bring Euskadi and Aquitaine closer together, so that we get to know each other and start to create new Projects together, “explains Irantzu Lekue, artist and founder of ARTgia sorgune & aretoa. Thus the program is developed in order to be able to give the maximum attention to the creators and to share with them / them meeting spaces that allow to weave networks, to connect ideas, to look for synergies between the local creative ecosystems-comarcales- Regional partnerships with the aim of moving towards the consolidation of an Euroregional creative space.

They have established contacts with “creative entrepreneurship spaces, galleries and creative factories such as La Reserve, 5unset, Bon pour1 tour, Galerie La Mauvaise Réputation, Borderline or the meetings held with the management of Fabrique Pola that provide tools for the improvement of The projects, refresh creativity and innovation and encourage inspiration and new ideas, both in Aquitaine and Euskadi.

The micro artistic residence of Madrid has developed in the Plaza del Sol. A different bet that was born with the aim of turning the street into a cultural epicenter turning it into a “space of artists in creation”. There were several artistic and collective proposals that participated in the residence.

Under the direction of Guerrilla Food Sound System that returned to Madrid after its passage through Matadero, La Casa Encendida or MediaLab Prado the artistic platform returned to the capital with an innovative proposal that has as an aim to extend this spirit of hybridization and experimentation in new formats To more initiatives and agents, “said its promoter Ruben Castillejo.

This time, the axes of action were, collaborative and committed creation as a tool of social action, and the use of public space as a place for the creation and dissemination of experimental artistic and cultural practices

In the “Akamparte” initiative, artists such as Alexander Ríos (Bogotá, 1984), Daniel López de Pariza (Vitoria – Gasteiz, 1985), JMYES (Madrid, 1991), Arturo ‘s multidisciplinary artist and researcher in contemporary art participated with Irantzu Lekue Cancio, the group from Bilbao, Truca Recel.